Plastic Promises & Hollywood Happiness

It may or may not surprise you to hear that I’m considered somewhat pessimistic by my friends.

You may think that with a bleak personality such as mine I would crave the colourful delights of Disney films. You would be mistaken. Instead I find them subversive and seditious.

You may think that with an isolated existence such as mine I would crave the aspirational gloss of teen dramas like The O.C. You would be incorrect. Instead I find them offensive projections of an unrealistic ambition.

You may think that with a life like mine I would watch films simply to escape myself, to feel a fleeting fantastical happiness at the hands of a fictional circumstance. You would be wrong. I revel in the sadistic side of cinema. I want it grim. I want all the grim you’ve got.

Recently I learned through a fellow blogger that the theatrical ending of Danny Boyle’s post-apocalyptic zombie flick 28 Days Later is not the original ending. 

[Spoilers inbound]

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ITV’s The Cube: An Abundance of Acrylic

What do you get when a terrestrial television channel has an empty prime-time slot, a mysterious gymnast, and acrylic plastic surplus to requirement?

ITV‘s prime-time, acryli-fest gameshow – The Cube. That’s what.

Back for a second series The Cube fulfils the part of ITV‘s remit that clearly states the must utilise the abundance of Poly[methyl methacrylate] stored within the warehouse since Simon Cowell’s Plastic Death Dungeon of Doom was officially decommissioned in late 1997. Oh, you didn’t see that one?

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